India's civilisational heritage, staged for a global audience at the G20 Leaders' Summit.
Design philosophy
Interpreting India's cultural heritage through layered narratives that connect archaeology, art, knowledge systems and living traditions.
Using interactive and immersive media to make complex historical narratives accessible to audiences from diverse cultural backgrounds.
Revealing how maritime exchange, movement and shared knowledge connected India with civilizations across regions and centuries.
Signature experiences
01
Gamified experiences
A gesture-based experience invites visitors to perform traditional yoga asanas, using body tracking and real-time gamification to assess posture, participation and movement.
Explore Games
02
Treasures in three dimensions
An interactive touch-enabled holobox presents detailed 3D visualisations of selected artefacts, allowing visitors to rotate, examine and discover their cultural significance through kiosk-based exploration.
03
The story of the Amaravati Stupa
An immersive projection narrative brings the Amaravati Stupa to life, revealing its artistic details, historical evolution and significance within India's Buddhist and cultural heritage.
04
Maritime and trade networks
Interactive wall projections and touch-based exploration visualise India's historic maritime trade networks, revealing how goods, knowledge, beliefs and cultural influences travelled across regions and civilizations.
Explore Kiosk
05
Heritage through projection
Large-scale projection mapping transforms architectural and cultural surfaces into layered storytelling experiences, bringing India's artistic traditions and civilizational history to life through motion and light.
Built for the G20 Leaders' Summit, which sets the constraint plainly: a global audience, no shared reference points, and a fixed date that does not move. Five experiences carry India's civilisational story without requiring the visitor to arrive knowing any of it — the yoga exhibit is understood by doing, the holobox and the stupa projection explain themselves, and the trade-network wall works as a map before it works as history.
Games for the gesture-based asana experience, Canvas for the holobox, the Amaravati Stupa projection and the architectural mapping, and Kiosk for the maritime trade networks.
Summit and pavilion work is the clearest case for a block library: the deadline is immovable, so the interactive layer cannot be inventing itself from scratch. Browse what is already proven, or bring us the date.
Bring the space and the timeline. We'll tell you which blocks fit and what they cost.
